The work consists of four silicone sculptures, dyed with red pigment and embroidered with red thread—references to the body, blood, resistance, and female power. Each sculpture is equipped with a microcontroller that connects to the internet to automatically like, repost, and forward posts by Indigenous activists into a Telegram group.

The sculptures act as autonomous, digital activists—intervening in social networks and amplifying marginalized voices without pause or compromise. They embody a practice of radical visibility and digital solidarity. At a time when Indigenous struggles are frequently ignored or reduced to mere symbols, these objects respond with action rather than representation.

The red color points to struggle, to vulnerability, but also to vitality. The threads represent connection, collective cohesion, and networks of resistance. This work views technology not as neutral, but as a political tool—deploying automation against oppression and calling for responsibility to be framed not only individually, but structurally and technologically.